Mackie onyx mac osx compatibility8/15/2023 ![]() This is provided mainly as a quick check that signal is getting into the interface, as any detailed input level metering would normally be done within the host DAW. ![]() A further small LED next to the input gain control lights green when a nominal signal level is being received and turns red when the gain is so high that clipping occurs. Both have switchable phantom power and rear-panel stereo outputs on balanced quarter-inch jacks that may also be used unbalanced.ĭiscrete status LEDs are fitted for all the key functions a green LED shows when power is being received over USB, and the switches for phantom power and instrument input also light up green when active. The Producer 2.2 also sports a separate Mix control to balance the direct monitoring level with the DAW return. There are two key differences between the two models: the Artist 1.2 has one dedicated XLR mic input and one switchable line/high-impedance instrument input on a balanced/unbalanced jack, while the Producer 2.2 has two ‘combi’ inputs, either of which can accept mic, line or instrument sources, plus it has twin five-pin DIN sockets for MIDI I/O. A USB cable is included.īoth include zero-latency direct-source monitoring, a large monitor volume knob and a quarter-inch TRS headphone outlet with its own level control. These interfaces are USB2 bus-powered, so there are no extra PSUs to worry about, and they offer full compatibility with Apple’s Core Audio and Windows ASIO. Rubber feet on the bases keep the units from sliding off the desk, and the knobs have a rubbery feel making them easy to grip. ![]() The shells have a black anodisied finish with the familiar Mackie running man logo on top, and their overall weight is around half a kilogram each. Featuresīuilt in China to keep them affordable, both models feature stylish, tough metal enclosures housing 24-bit converters that can run at sample rates of up to 192kHz. They also offer a practical mobile solution when paired with a laptop. The two models we’re looking at here, the Artist 1.2 and the Producer 2.2, are both well-suited to the desktop musician who wants to record only one or two tracks at a time. In these two Mackie interfaces, the mic amp circuitry follows the design created for their respected Onyx mixers. After all, if the converters are as good as you can get at a certain price, it is the analogue circuitry that will most strongly differentiate one model from another. There’s no shortage of small USB audio interfaces on the market but, like Focusrite, who already have a strong foothold right across the audio interface range, Mackie are making the most of the reputation of their analogue preamplifiers. Mackie offer a straightforward and affordable approach to audio interfacing with two new Onyx units.
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